Frankenstein and Channel Zero

I finally finished Frankenstein. It was no Wuthering Heights, but it was good. A lot of the themes wear well–the inhumanity of humanity, Dr. Frankenstein’s infuriating refusal to see his responsibility for this mess, the ups and downs of pushing science past its limits–those ideas and more are still compelling after all this time. The vagueness of the actual science wears less well, and I just couldn’t get behind the Monster learning French and pondering the nuances of Paradise Lost just by listening really hard. But this is forgivable. You don’t read Shelley or Poe for their scientific prescience.

You can’t really recommend or fail to recommend such a classic, so instead I’ll say this: it’s about as exciting-yet-flawed as Stoker’s Dracula, more focused than Ann Radcliffe’s work (but less focused than Dr. Jekyll and Mr. Hyde or The Invisible Man), and not as romantic and full of atmosphere as Jane Eyre or Wuthering Heights. If you’re really into the foundations of goth you’re either already read it or really ought to. I can’t believe it took me so long to get to this.

And now, out of the past and into the TV present. While I was sick I found time to watch Channel Zero season one and I mostly liked it. Since this is a fairly recent show instead of a classic of Western Horror, I won’t spoil it with too many details. If you like creepypasta you’re probably familiar with the Candle Cove storyline, and for the most part the show did a great job with it. That tooth child (you may have seen it in the trailers) and various Candle Cove puppets are suitably creepy and the plot is interesting. I was totally sold for the first 4 episodes or so, and after that there were some hiccups but I still enjoyed it. Definitely worth a look if you like quirky, atmospheric horror.

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