Someday, when I have more money to spend, I would love to collect Roentgenizden, or bone records.
For quite a while after World War II, the Soviet Union had a black market record trade. A whole host of songs and musicians, even homegrown Soviet songs and musicians, were banned for various reasons, so people had to pass the music among themselves. Record players could be put together at home, but vinyl for pressing records was much harder to come by, so creative music lovers used x-ray plates instead. They called them bone records, or ribs, or Roentgenizden (after Wilhelm Roentgen, who discovered x-rays), and they’re beautiful. I love the haunting images x-rays produce, and I love the history and the dedication to music behind bone records.
Unfortunately, after all this time they’re also a bit rare and expensive. You can find them on eBay but they’ll cost you quite a bit. I doubt they’ll get any cheaper, since there’s now a book (available used) on bone records and a documentary going around the international film festivals as we speak.
I just got the book in the mail but I haven’t sat down to read it yet. It’s part coffee table book and part history of bone records. I’m excited to get into it.
How about all of you? Is there something you’d love to collect that you just can’t afford? Would you buy a bone record if you could? I have an x-ray of my kid’s broken arm but I think she’d be mad if I turned it into art. It’s not her fondest memory.
I’ve been caught up in life stuff. We all have it; I don’t have to explain, right? I’ve been figuring things out, getting things done, and Band Camp has been getting me through.
I actually have a friend who produces on Band Camp. She’s a great person, but her music is a bit bright and folksy for my taste. (Still, if bright and folksy is your thing, give it a listen!)
Me, I’ve always run towards metal and alternative, but lately I’m all about dark cabaret and dark ambient. If you’re not Evelyn Evelyn, Kim Boekbinder* Atrium Carceri, or Kammarheit, lately I’ve not much use for you.
I’m no expert in either genre, but dark cabaret cheers me up as much as anything can, and dark ambient is the bleak soundtrack to every soul-sucking thing I have to get done. Everything is more exciting with something like these in the background. And sometimes that’s what you get–a cool soundtrack to your boring, frustrating life.
Hope everyone’s life is going well. And if it’s not, I hope you at least have a good soundtrack to your troubles. Catch you soon.
*Kim Boekbinder came out of Vermillion Lies, which was more or less dark cabaret, but she’s more than that. As most of us are.
While the winter storms have come one after the other, piling up snow and icing the roads, I’ve been snuggling up in my memento mori blanket and catching up on all sorts of entertainment.
Over the last few weeks I’ve watched the new Dirk Gently series twice. I read the books back in the day and I felt this series was true to the spirit of the original while creating a whole new storyline and cast of characters. But don’t let kids watch it unless they have a high tolerance for blood and weirdness.
This week season 4 of Bates Motel came to Netflix, so that’ll keep me company for a week or two while I work on my skully lap blanket. I found some silvery grey yarn in my stash and decided to alternate that with the red. So far I’m excited about the color combination.
My music has been tending toward the moody and atmospheric, like Tones on Tail and Dead Can Dance. All of that put a very specific song in my head, only I couldn’t remember what it was called or who did it. Took me an hour of googling to figure out it was Scott Walker’s Farmer in the City. This time I made sure to find out what album it was on (Tilt) and download it so I wouldn’t forget again. If you like avant garde music or somber chanting stuff, which I do on occasion, you’ll like the album.
I’ve also been in a reading mood. I just finished a nice dark fantasy novel inspired by Alice in Wonderland (called, unsurprisingly, Alice). The pacing was a little off for me, taking a long time to wind up and then rushing to a conclusion, but I was into the dystopian world the author created and I’m a sucker for stories that blend grimy cityscapes with magic and fantasy, which this book does well. I always found the dream logic of Alice in Wonderland creepy (especially in the original books and the Disney movie) so this explicitly dark take feels natural to me. There’s a sequel I’ll have to get to one of these soon days, but I’m finishing Broken Monsters first. I’m liking that one so far as well.
So that’s what I’m up when I’m not working. How are you keeping busy lately?